Sources of Greek mythology
Greek mythology is known from ancient Greek literature. In addition to written sources, there are mythical figures visualized in various media dating from the geometric period (900-800 BC) and beyond.
Among the literary sources, chronologically first, are the two epic poems of Homer, the Iliad and the Odyssey. The Homeric Hymns, despite their name, have nothing to do with Homer. Other poets completed this epic cycle with shorter poems, but most have not survived.
Hesiod, a contemporary of Homer, records in Theogony (origin of the Gods) the most complete record of early Greek myths. The myths of Theogony, which shaped popular beliefs, narrate the creation of the world, the origin of the gods, the titans, the giants and the formation of genealogies. In the Works and Days of Hesiod, a didactic poem about rural life, also includes the myths of Prometheus, Pandora and the four seasons. The poet gives advice to survive in a dangerous world that becomes even more dangerous than the gods.
The lyric poets were often inspired by myths, but the gradual elaboration turned the works into less narrative and more suggestive. As a result, Pindar, Bacchylides, Simonides, and bucolic poets, such as Theocritus and Bion, provide individual mythological facts in their works. On the other hand, the myths were prominent in the classical Athenian drama. The three great tragic writers Aeschylus, Sophocles and Euripides were inspired in many of their works from the mythical era of the heroes and the Trojan War. Thus many of the great mythical stories (eg Agamemnon and his children, Oedipus, Jason, Medea, etc.) took their classic form through tragic plays. Comedian Aristophanes also used myths, e.g. in Hens and Frogs.
The historians Herodotus and Diodorus of Sicily, and the geographers Pausanias and Strabo, who traveled throughout the Greek world and recorded the stories they heard, provide numerous local myths, thus preserving the lesser-known alternative editions. [7] Herodotus, in particular, researched the various traditions he heard and came to the historical or mythological roots of the controversy between Greece and the East. [9]
The literature of the Hellenistic and Roman eras contains many important details. This category includes:
The poets of the Hellenistic era Apollonius the Rhodian, Callimachus, Eratosthenes and Parthenios.
The Latin poets Ovid, Statios, Valerios Flaccus, Seneca and Virgil with comments by Servius.
The later Greek poets of the end of Antiquity, Nonnos the Panopolitan and Kointos the Smyrnaean.
The ancient novels of Apoulios, Petronius, Lollianos, Heliodorus and Achilles Tatios
Archaeological sources
The archaeological discoveries of the German amateur archaeologist Henry Schliemann (19th century) about the Mycenaean civilization, and those of the British archaeologist Arthur Evans (20th century) in Crete of the Minoan civilization), contributed to the for many details of the myths, for the gods and for the heroes. Unfortunately, the elements for the myths and ritual elements in Mycenae and Minoan Crete are entirely monumental, as Linear B was used mainly for recording catalogs. Nevertheless, the names of the gods and heroes that had already been revealed were verified.
8th century pottery depicts various mythical events. These visual representations of myths are important for two reasons: on the one hand because many myths were imprinted on pottery much earlier than in literary works, and on the other because visual representations sometimes represent myths or mythical scenes that are not recorded. in any other existing literary source. For example, of the twelve feats of Hercules, only the feast with Cerberus appears in a literary text